As promised! Let’s talk what was underneath my Abria the other day.

First up, the skirt! This is one of the more recent releases from Liesl+co, called the City Stroll Skirt. I made it out of some pretty ordinary dark denim I picked up in Hickey’s. It was about a tenner – I only had a metre so I forwent the facing, opting instead for a bias binding finish inside.

As always, the instructions are impeccable and everything matches up nicely. In fact, there is little else to say, except that this is one of those deceptive skirts in terms of length! It looks ok on the model, right? Even the pattern pieces look about right. But… I think I would like it a bit longer. I like to use my pockets, but unfortunately, very often, when I have my hands in my pockets, I still move them around. So, depending on what angle you face your audience, you could give them a very interesting accompaniment to your dialogue! I am a little annoyed, in fact, because I even wrote on the pieces to lengthen them by two inches, but in the heat of cutting out, I forgot.

I love the buttons. I got them in Rubanesque about a month ago. They were selling all of their buttons at 50% off, so I doubt there are many left.

The blouse was one of those things I had on my list (you have one too? isn’t it funny how it can morph from being inspiring to overwhelming to redundant back to inspiring in just one sitting?) but almost didn’t get to. I got the pattern, Burda 6810 at the beginning of the summer. It has two winning aspects: multiple sleeve options and a covered button placket. I might be a little crazy but when you’re wearing a blouse under a close-fitting sweater, the covered placket prevents the buttons from showing through the sweater! Anyway, I had barely a metre of white cotton voile left over from another blouse I made, and I thought it would be good to see if it fit. In any case, the more I thought about it, the more I think a sleeveless blouse is useful for layering under dresses. I love long sleeved dresses, and I love the look of a collar underneath, but I don’t ever wear the two together simply because of the bulk of wearing a blouse. Doesn’t this solve this problem?

Don’t let my glowing countenance fool you…! I’m actually not thrilled with the blouse. In fact, it pushed me to face the fact that I needed to learn how to make a full bust adjustment. I always need a little bit more room at the front, even when everything else – shoulders, waist and hips – fit just fine (as you can see). Any minor pulling you see would be fixed by this. So… I spent the princely sum of e6.50 on 1.2m of white polycotton and thirty minutes doing a little research for another version. It’s actually not that hard at all. I cut out a new blouse and hopefully I will have an idea of the fit in a day or two.

Share on Facebook

Here’s a little something I made a while ago. Maybe I have mentioned before but I am smitten with the Named sewing patterns. I don’t think that every pattern is for me but I adore their aesthetic. They have such a clear idea of their style – their distinctive design is like no other.

Needless to say, I was excited to see what their Autumn/Winter collection would hold. I wasn’t disappointed. There are lots of trendy items but the ones I am most drawn to, other than this little skirt, are the Wenona shirt-dress and the Shadi knit skirt. I think this collection, of the three they have released so far, have the best spread of ability. There are fun, stylish patterns suitable for a quick sew or a beginner, but there are more challenging ones too. I think they hit the balance just right with this one.

Anyway, let’s see the skirt!

This is really just a wearable muslin. I ended up with a strangely shaped remnant piece of coating that I struggled to use so I thought this might be nice. I wasn’t sure about the sizing but having made a few things from this company now, I know I can trust the finished measurements and sizing suggestions. I think I sewed this in a straight 38. Because it’s supposed to sit below the waistline, I wasn’t sure about tapering to a 36 at the waist.

The only downside to this project was my choice of fabric – it was just a bit too thick. Sewing that exposed zipper was a bit of a pain because the fabric just wanted to squidge out at every opportunity. But I got there and it looks ok!

This isn’t a very flattering photo but it shows you how low the skirt sits on the hips. I totally regretted using such thick fabric for my facings :O It looks like I’m wearing a tyre unless I pull my top down.

The one thing I love about this pattern is the level of finishing that’s detailed. It’s not quite the quick sew you would imagine it might be but it’s quite posh in there.

I especially like the way the points at the front are handled with the lining. There is very little hand sewing required.

I’m not really one for short-short skirts so I was not prepared for how… immobile this is. I can just about sit down in it. I was looking about for other reviews and someone, somewhere, mentioned about sewing this in a thick knit or a ponte. I would definitely entertain something like that – anything with a tiny bit of stretch would be amazing! I do like to sit down every now and again.

Share on Facebook

I have a combination outfit for you today! I knit the cardigan in the summer and made the skirt recently. I think they go really well together.

Let’s start with the cardigan! I really wanted a cropped cardigan to wear with the few high-waisted skirts I have. I used Debbie Bliss Mia from This is Knit. It took about 8 balls.

I didn’t much like the selection of patterns on Ravelry so I just kept it simple and used the Barbara Walker recipe for a top-down set-in-sleeve construction.

Do you notice a button oddity there? I sewed on four buttons but cut the top one off (I can’t remember why – there was a reason at the time). I’ve changed my mind and think it looks better with the top button… but now I can’t find the one I cut off! I’m sure it will turn up during some excavation or another.

As for the skirt, I used a sturdy failsafe pattern, the Colette Ginger.

I didn’t change anything from the last time I made it – I grade from size 6 at the waist to size 8 at the hip. Rather than making a separate lining, I overlocked the lining and shell pieces together. It’s not as nice a finish, but I’m hoping it will help maintain the shape better over time.

I must concede that my original navy Ginger, made in September 2012, needs to be retired. Everytime I put it on, I take it off again because it just looks worn out. It is completely misshapen and the lining has disintegrated on the inside (pre-overlocker sewing!). It was a good and faithful skirt.

Share on Facebook

What sort of September would it be at all if I didn’t make a pair of shorts?! Luckily for me, it’s been a warm and beautiful month.

The pattern is the Grainline Studio Maritime Shorts. The fabric is leftover light denim from a shirtdress I made over the summer.

I lengthened the leg about 5cm and tapered them in so they weren’t so square at the hem. I cut a size 6 so it’s a little snug around the waist but perfect everywhere else.

I’m really happy with how the stitching on the back pockets came out! I finally took the plunge and bought an edge stitching foot. I have one that is an original part for my machine but it can only be used when stitching along an actual edge, like on a collar. You can’t use it for top-stitched edges that are in the middle of the garment. Anyway, it’s really easy to use and I can get pretty consistent results already.

I used a contrast plaid that I had about 40cm of, to sew the facings and pockets. This was partly because I’d run out of denim but also because I like to use a contrast on the inside 😀

It’s been a very busy month, between going back to school and various music commitments. Not to mention that I had to move all my sewing gear into another room, so I’ve been out of action for over a fortnight. But here’s what I’ve been working on today:

It’s a Sewaholic Hollyburn Skirt. I’ve made others but I think this might be my favourite yet! It’s a wool-polyester blend that I got from Truro fabrics about this time last year. It’s quite a floppy weave so I’ve attached the lining to each piece to give it more structure.

This will give you an idea how I worked the pocket. I overlocked the lining to each piece before sewing stuff together, it works quite well.

That’s it for today, enjoy your weekend!

Share on Facebook

Hi all! Last month was a busy one as I was preparing for and then away on my usual course in Switzerland… And when I came back, I needed to continue preparations for a lunchtime recital which I gave yesterday.

Anyway, it’s good to be back! I have lots of things to show you. First up, here’s my wee July outfit. Not the most summery but perfect for a day like today.

The skirt pattern is from an Ottobre magazine. Have you heard of these guys? It’s Finnish magazine. They put out about four issues a year for kids – which seem great but I’m no expert – and two for women. They tend to focus on nice basics. What I love most about their magazines is that they use normal people as models and give their dimensions. So there are lots of short and normal sized people in it! This wrap skirt is from an old summer issue. It’s unlined but has a total overlap at the front and pretty substantial facings, which I took the liberty of binding…

It fastens with a button on both sides – a flat one on the inside and a decorative one on the exterior side. You’re supposed to put a decorative button on each side of the front but I didn’t bother.

As for the top, it’s the Alexis pattern that I downloaded from the Tessuti site. I’ve used this a few times now and it’s just perfect. I bought the flannel with a massive discount at Hickey’s. I don’t know why it was reduced so much, but I’m glad! It’s so soft and snug.

That’s it for now but I’ll be back soon… I have TWO knitted garments to show you as well as a dress and my August outfit!

Share on Facebook